The artist's series of “windows” is a work that arranges four or more spaces, trying not to falsifying truth, consisting of “confronted windows" located on both sides of the work and a background and foreground placed in the center in one picture.
The left window is rushing waves that seems to go back to the primitive time, and the center is Wolryubong in winter, which contains an oriental landscape of reality, and the window on the right is placed as an abstract landscape that does not exist. Finally, the entire lower part of the screen is images that contain the artist's efforts to integrate these spaces by tying them together with light and shadow.
Through another abstract window pattern that covers the entire picture, the artist tries to integrate the work and the space outside the work.

The artist, working between the United States, Germany, and Korea, has represented herself by depicting the cat ＂Nana＂ on her well known “street series” and continuously expanded artworks to various subjects on a variety of medium. She received the 24th Seokju Art Award in 2019 for the 'New Vertical Painting' series, which pays homage to Albrecht Dürer's 'Apocalypse of John'.
Artworks contains objects of personal experience and reflections on modern civilization and the cat 'Nana', a symbol of alienation or the artist herself, in surreal scenes that being in harmony with space and time.
In addition to painting works using various objects, the artist is expanding her scope to figures, installations, media, and digital art.